As the daughter of an artist, I grew up surrounded by paint, fabric, and the quiet focus of making. While much of my career has been spent designing for clients, printmaking has become the most personal and intuitive part of my practice. I specialize in block printing, drawn to the meditative rhythm of hand carving and the tactile nature of the process. Rather than striving for flawless repetition, I embrace the imperfections that reveal the human hand. My work often combines block printing with hand stitching, bringing together repetition and textile-inspired pattern to explore texture, process, and pattern. In an era increasingly shaped by artificial intelligence and automation, I value what cannot be perfectly replicated: uneven inking, crooked stitches, visible evidence of time and care.

Travel and creative community are central to my practice. I lived in Budapest for four years and have attended retreats worldwide. In April 2025, I was an artist-in-residence at Château Orquevaux in France, where I began this body of work inspired by old wallpaper, vintage lace, and handwork.